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Hoffman's story advances with a feline economy of language and movement--not a word spared for the color of the sky, unless the color of the sky factors into the narrative. Among the authors who have played with the fairy tale's harsh mercies (e.g. Margaret Atwood, Angela Carter), Hoffman has the closest understanding of the primal fears that drive the genre, and why, perhaps, we never outgrow fairy stories, but only learn to substitute dull, wholesome qualities like personal initiative or good timing for the elements that raise the hairs on our neck and send us scrambling for the light switch. --Regina Marler
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