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I began to write Decorations in grief and despair and fear. My wife Carrie and I had lost, hours after she was born prematurely, our daughter Frances. Her twin sister, Molly, survived but was being kept alive with oxygen, blood transfusions, and antibiotics in the neonatal unit of a hospital an hour away from our home. I confess that I can't imagine now how it is I woke up before dawn each morning and wrote for three hours before Carrie and I made the drive to the hospital. I know why I did it, of course. I wrote to hold the crushing sadness at bay, to divert attention from the terror, to try to extract some tincture of meaning in a life that had become unimaginably unmoored.
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